Sabtu, 27 Oktober 2012

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Mormon Illusion***OP***: What the Bible Says About the Latter-Day Saints, by Floyd McElveen

(Revised and expanded edition) This classic work on Mormonism has more than 135,000 copies in print.

  • Sales Rank: #1033501 in Books
  • Brand: Brand: Kregel Publications
  • Published on: 1997-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .51" h x 5.23" w x 7.97" l, .50 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
Floyd C. McElveen is a graduate of Western Conservative Baptist Seminary in Portland, Oregon. He has served as a missionary evangelist, a church planter and pastor, and the national evangelist for the Conservative Baptist Home Mission Society.

Most helpful customer reviews

5 of 8 people found the following review helpful.
Readable but defective
By Hinkle Goldfarb
Overall, Floyd McElveen has written one of the few anti-Mormon ("A-M") books that even occasionally entertains. However, the book is defective on a number of levels. Let's take a look at a few of them

CONSISTENT LOGIC. Poor. Any book should be internally consistent, and a polemical and ostensibly factual work *must* be consistent with outside documents as well. Here are just a few of dozens of the book's logical lapses:

1. Floyd can't claim he confessed to believe in Jesus at age twelve (p 14), then turn around and claim that he wasn't saved (p 19) while still preaching that all you need to do to be saved is "call upon the name of the Lord" (pp 87, 164). So which is it? Either calling upon Jesus works or it doesn't. Once you start attaching strings to it, you've basically made the Mormons' case for them, since they argue -- appropriately IMHO -- that the string attached to *true* faith is works.

2. Floyd falls for the classic A-M logic error regarding the priesthood, stating "When Jesus died...the need for priests was done away with" and then on the *same page* stating "every Christian is now declared to be a priest" (p 99). He couldn't even let a page go by before contradicting himself.

3. Floyd also falls for the logic error of asserting that the Melchizedek priesthood held by Jesus is "untransferable" and once again on the same page contradicting himself by saying that Melchizedek also held the priesthood (p 97). Folks, if the Melchizedek priesthood is untransferable, that means either Jesus held the priesthood, or Melchizedek, but not both. This isn't rocket science. Also, note that Jesus was a priest after the "order" of Melchizedek. Ps. 110:4. Who ever heard of a priesthood "order" with only one person? The Aaronic priesthood was also an "order" (Heb. 7:11) and had at least tens of thousands of priests.

4. As a dog returns to its vomit, so does Floyd to his folly, proclaiming that there can be only twelve apostles but once again on the same page saying that all believers are apostles (p 123). Besides, should Judas Iscariot, whom Jesus called "a devil" (John 6:70), really be the foundation to the Celestial City like Floyd claims (p 123)?

5. There's no substitute for knowing your bible if you're writing a book heavily referencing it. Floyd says the bible gives no qualifications for apostle (p 124). I suggest Floyd pick up his bible, blow the dust off it, and turn to Acts 1:21-22.

6. Floyd states "the whole of 1 Corinthians 15 gives God's beautiful picture of...our own resurrection" (p 111) but then twists 1 Cor. 15:46 ("not first which is spiritual, but that which is natural; and afterward that which is spiritual") around like a pretzel to claim that the verse is comparing our pre-mortal vs. mortal state (p 86), rather than the contextually obvious comparison of our mortal state to our resurrected state. Floyd needs more than a course in logic. He needs a heavy-duty course in biblical exegesis.

7. Floyd also engages in subtler manipulation and contradiction. He claims that praying for confirmation of the truthfulness of the BoM is a "satanic trap" (p 131), since sincere people will feel psychologically pressured to believe the BoM or else worry they are not asking with a "sincere heart" in accordance with Moroni 10:4. Fair enough. But then he states "[t]rue Christians do get a deep and abiding peace beyond anything else they have ever known" when they understand Jesus has saved them (p 141). Is Floyd not engaging in the same psychological pressure he just criticized the Mormons for? Isn't he implying that if you *don't* have a deep peace beyond anything you've ever known, you're not a Christian? Floyd, which are you: scribe, Pharisee or hypocrite?

EDITING. Better than the 1980 edition, but still poor. He gives a mea culpa for being fooled by Dee Jay Nelson in this edition (p 56), which is good. But other poor editing abounds. He tells us that Marvin Cowan is "a Baptist missionary to the Mormons he loves and for whom his heart aches" on page 104, then ten pages later tells us that Marvin Cowan "serves as a missionary to the Mormons." Telling us once would have been enough. The verse stating "for I am God, and not man" is Hosea 11:9, not Hosea 1:9 (p 92). Likewise, there is no Rev. 1:46 (p 211). These are not confidence builders in Floyd's book!

AS APOLOGY. Not good. The book has virtually no rebuttal for some of Mormonism's strongest scriptures, such as John 17:20-23, Luke 2:52 and Mat. 3:16-17 (re the Godhead), Mat. 27:9 and Zech 11:12 (re errancy of the bible), Acts 2:38 (re baptism), Rev. 3:14 (re Jesus as elder brother), Rev. 3:21 (re becoming gods). The books "Mormons Answered Verse By Verse" and "Reasoning from the Scriptures With Mormons" at least take a stab at responding to several Mormon-friendly scriptures. Floyd makes little such attempt.

AS HISTORICAL RECORD. Poor. To bolster his case, Floyd throws the kitchen sink at the Mormons, using scriptures, pamphlets, newspaper articles and even affidavits. A lot of these sources are of suspect quality and/or are rehashes of other A-M literature. In fact, there is not a single primary source referenced in this book, other than Floyd's febrile conversations with various Mormons, and occasional chats with other A-Ms.

AS A POLEMIC. Good. The book has its sneering and sarcasm down cold. When Floyd has a supposed LDS member saying he belongs to "the Latter-day Saints Church" (p 14), you know what you're in for. You can't say you weren't warned. His mock sympathy for Mormons ("We sympathize with their heartbreak over what the following facts will reveal") (p 28) is truly hilarious for someone with a twisted sense of humor like me.

IN SUMMARY. Overall, this book does a lot of the low-level dirty work of A-M literature, hurling everything it can at Mormons, like Alma 7:10 (p 37), angels of light (pp 32, 133), inhabitants on the moon (p 37), Adam-God (p 77), false prophets (p 187), "god of this world" (p 176), etc. But I suppose someone has to do the dirty work, and that's Floyd's shtick. For the interested reader however, I think in terms of consistency and intellectual heft, "Reasoning from the Scriptures With Mormons," although itself flawed, is a better value.

4 of 7 people found the following review helpful.
Mormon Illusion: skilled rhetoric, horrible analysis
By A Customer
McElveen seems to think that if he hurls charges against Morminism as fast as he can, and mixes them with a lot of snickering, sarcastic rhetoric, he can convince the reader of his point, which apparently is that Mormonism is not a form of Christianity. He only partially succeeds, chiefly because he ignores basic principles of logic and textual analysis. Maybe he has tightened up some of his analytical failings in the new edition, but this older edition has numerous flaws. Among them are: (1) he implies the "burning in the bosom" is Satanically influenced, yet says that he experienced "sweet feelings" himself as a manifestation of truth (see also Luke 24:42); (2) he never can decide whether we're saved through invocation of Christ's name, or by faith; (3) the apostle Paul gave different accounts of of his vision, just like Joseph Smith; (4)the Lord is also called an angel (Ex. 3:1-3); (5)if the B of M has been "corected" why does he still claim it has bad grammar; (6) Floyd uses anti-Mormon, rather than neutral sources throughout the book (Moody, Tanner, etc.); (7) Christ's blood doesn't cleanse us from all sin (Mat 12:32); (8) paradise is not heaven (John 20:17, 1 Pet 3:18-19); (9) Jesus is our Brother (Rev 3:14, Heb 8:29); (10) man CAN see God (Ex 24:10); (11) Jesus was conceived of God, not the Holy Spirit (John 5:18); (12) Floyd says the priesthood has ended, yet also says all believers are priests; (13) "called" and "consecrated" are not the same (Ex. 28:1, 4); (14) besides Jesus, Melchezidick held the priesthood of Melchezidick, obviously; (15) if geneologies are so bad, why is Jesus' given--twice; (16) justification comes through DOING as well as believing (Rom 2:13); (17) the thief on the cross did not go to Heaven (John 20:16-17); (18) it's not the Mormons' job to prove three heavens from the Bible; (19) we existed before we were born (Prov. 8:27-31); (20) you CAN fall from grace (Gal 6:7); (21) a complete apostasy occurred (Amos 8:11-13); (22) the primitive Christian church had more than 12 apostles (Act 1:24-26); (23) Judas Iscariot could not be a foundation of the celestial city (Luke 22:3); (24) the bible DOES give qualifications for apostle (Acts 1:22); (25) an interpretation of any scripture before Revelations calling the bible complete is contradictory; (26) no unity among Christian sects exists as Floyd would have us believe; (27) request for revelation through prayer is a biblical principle (James 1:5); (28) if all angelic visitations are from Satan, then John the Beloved was tricked by one too (Rev 1:1); (29) Mormons don't claim that their works alone will get them into heaven; (30) someone can be eternal and also created (Prov. 8:22-24); (31) murder is not forgiven (Acts 2:34, 1John 3:15). And this is just an abbreviated list.

4 of 7 people found the following review helpful.
'Twas okay, I guess
By A Customer
When I was given this book by an ambitious Evangelical friend of mine, I eagerly dove right into it. Unfortunately, I was expecting something a little more original. McElveen doesn't come up with anything new, but rehashes things that have been refuted . . . nay, ANNIHILATED . . . numerous times before.
When writing anti-Mormon fiction, one must always come up with new ideas. Don't forget that, people. Improve your arguments! Don't advance on us Latter-day Saints like a horde of mindless zombies. Show at least a glimmer of creativity!
I do give this book three stars because I enjoyed following McElveen's extremely obvious polemical animosity toward the LDS faith throughout the book. His anecdotes of fictional bungling, stupid Mormons are also quite amusing.

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Jumat, 26 Oktober 2012

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Scientific Photography and Applied Imaging, by Sidney Ray

WINNER OF THE 2001 KRASZNA-KRAUSZ PHOTOGRAPHY BOOK AWARD (Technical Photography category)

The only definitive book to fully encompass the use of photography and imaging as tools in science, technology and medicine. It describes in one single volume the basic theory, techniques, materials, special equipment and applications for a wide variety of uses of photography, including: close up photography and photomacrography to spectral recording, surveillance systems, radiography and micro-imaging.

This extensively illustrated photography 'bible' contains all the information you need, whether you are a scientist wishing to use photography for a specialist application, a professional needing to extend technical expertise, or a student wanting to broaden your knowledge of the applications of photography.

The contents are arranged in three sections:
· General Section, detailing the elements of the image capture process
· Major Applications, describing the major applications of imaging
· Specialist Applications, presenting an eclectic selection of more specialised but increasingly important applications

Each subject is introduced with an outline of its development and contemporary importance, followed by explanations of essential theory and an overview of techniques and equipment. Mathematics is only used where necessary. Numerous applications and case studies are described. Comprehensive bibliographies and references are provided for further study.

  • Sales Rank: #3417857 in Books
  • Color: Red
  • Published on: 1999-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.25" w x 7.01" l, 3.87 pounds
  • Binding: Hardcover
  • 559 pages

About the Author
Senior Lecturer in Digital and Photographic Imaging, University of Westminster, photographer and Imaging Consultant.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Scientific Photography and Applied Imaging
By Daniel Geiger
Knowing Sidney Ray's writings for Applied Photographic Opitcs (second edition) and from his/her (?) introductory overview textbooks, I was certainly positively inclined towards the author. The book is well structured with historical introduction and a chapter on human perception at the beginning. The technical chapters on lighting, optics, processing, and specialty applications are up to date and fully referenced (which is a rarety among the usual crop of photographic how-to books). Those interested in more recent technological devlopments (lasers, UV, far IR, spectrophotometry, ...) will find a treasure chest in this volume.
The only significant let-down was the chapter 11 on image processing and analysis (including Photoshop). The chapters concentrates on simplistic examples of gadget filters (gaussian blur etc.) that are not employed in science (at least as far as I have ever experienced it). Explaing the use of alpha channels to improve color contrast in B&W print images would have been much more helpful. The omission of NIH image is yet another inexplicable phenomenon, as it is THE premier platform for quantitative image analysis.
Overall, I highly recommend this book for those interested in scientific applications of photography. This includes those like myself who deal on a day-to-day basis with various photographic challenges as working scientists (repro, extreme macro, micro, SEM/TEM, field photography, underwater). For a fuller mathematical treatment of the optical principles, you may want also to get his/her (?) '94 volume on optics. In the end you will find yourself referring back and forth between these two complementary tomes.

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Minggu, 21 Oktober 2012

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The Art of Contemporary Travis Picking, by Mark Hanson

(Music Sales America). By mastering all techniques described in the book, you will be on your way to elevating the Travis pick from a basic chordal accompaniment to a complex solo style! Includes: 14 guitar solos; instructional and performance CD; standard notation and tablature; comprehensive list of alternating-bass pieces; detailed and thorough instruction; and more.

  • Sales Rank: #31600 in Books
  • Model: 15261205
  • Published on: 1992-01-01
  • Released on: 1992-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .24" w x 9.00" l, .75 pounds
  • Binding: Paperback
  • 64 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
THE BEST BOOK to learn basic Travis Picking
By JEFFRY CHASE
A great book for guitar players who want to learn Travis picking. It covers all the basics with good song examples. I've tried a lot of books and Mark Hanson's instruction style is right on the money. He starts out giving you accompaniment only examples to support a song being sung and finally has you doing a melodic version of a great blues tune. The included CD shows you what it's supposed to sound like. Once I got through this book I went on to his "Art of Solo Fingerpicking" which takes you to the next level, i.e. playing melody with your Travis style accompaniment.

31 of 33 people found the following review helpful.
There are instruction books - and then there's Mark Hanson
By A Customer
If you have been playing guitar for a bit and have learned the standard 5-6 chords, but are no longer satisfied, then this book can get you to the next level.
Fifteen years ago, I picked up this book and tape set after a year of strumming away at Beatle, Dylan, etc.. tunes. It provided a simple and enjoyable entry into learing fingerstyle guitar. I have bought dozens of other guitar books and can say that this one was the best 'teaching' book I read. No jargon, no complicated charts, just a few simple practice patterns and some fun tumes to play. Also don't miss the companion book The Art of Solo Fingerpicking, which picks up right where this one leaves off. I still get a lot of kudos when I play the The Art of Solo Fingerpicking tunes to other musicians. No doubt, the best two book music instruction set I ever bought.

0 of 0 people found the following review helpful.
Comprehensive and Easy to Follow
By Steven
This book has easy-to-follow instructions and enjoyable songs to play. I am only 1/3 of the way through this book, and thoroughly enjoying it. It has some familiar and not-so-familiar folk standards, leading the player through basic patterns first, then adding variations, melodies, ornaments and finally culminating in a full fingerstyle selection that will challenge almost any player at any level. However Mark Hanson gives you all the tools you need to get there, in step-by-step detail. The book would be great without the CD, but the added audio instruction is also extremely helpful. I recommend this to anyone interested in fingerpicking and fingerstyle guitar.

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Rabu, 17 Oktober 2012

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The Long Case OSCE: The Ultimate Guide for Medical Students (MasterPass Series), by Beth C. Walker, Marsha Y. Morgan

A solid knowledge base and good clinical skills don’t necessarily guarantee examination success in the long case OSCE. This book is the ultimate guide for medical students needing to combine their knowledge and skills with an ability to interpret the clinical findings, the proficiency to present them clearly and the confidence to deal with the examiners questions.

Adopting a proven, highly effective approach, this revision aid uses role play with simulated patients to hone clinical examination and presentation skills. The fifty cases are divided into six areas: cardiology, respiratory, abdomen, neurology, musculoskeletal and surgery.

Written by successful candidates and examiners, the guide poses a number of important and commonly asked examination questions for each case to assist in preparation and confidence, and model answers are provided to ensure an understanding of exactly what is required.

Working in groups or independently, students will welcome the large, colourful format, the breakdown of marking schemes, an overview of examiners expectations, a guide to presenting clinical findings and innumerable ‘insider’ tips throughout.

See accompanying video here: https://www.youtube.com/watch?v=Cvr4y-NykUU

  • Sales Rank: #4752391 in Books
  • Published on: 2013-10-06
  • Original language: English
  • Dimensions: 11.50" h x 8.00" w x 1.00" l, 2.00 pounds
  • Binding: Paperback
  • 248 pages

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Sabtu, 13 Oktober 2012

[O773.Ebook] Free Ebook Quotable Walt Disney (Disney Editions Deluxe), by Disney Book Group

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Quotations present the viewpoint of the creative genius on success and failure, television, money, the Disney theme parks, Mickey Mouse, films and animation, and other topics.

  • Sales Rank: #83176 in Books
  • Brand: Disney Editions
  • Model: FBA-|275142
  • Published on: 2001-04-23
  • Released on: 2001-04-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 3.50" h x .0" w x 4.30" l, .54 pounds
  • Binding: Paperback
  • 272 pages

About the Author
Born in New York City, Parke Godwin was raised all over and drifted through a variety of places, schools and careers. He first attracted attention in the SF/fantasy field with "The Masters of Solitude" (1978), written with Marvin Kaye, and followed in 1982 by "Wintermind". In that same year he won the World Fantasy Award or his novella "The Fire When It Comes." "Beloved Exile" became a finalist for the World Fantasy Award in 1981.

Most helpful customer reviews

0 of 0 people found the following review helpful.
The Wisdom of Walt Disney
By Louis J. Prosperi
A fun and simple little book packed with the wisdom of Walt Disney.

This book collects quotes from Walt Disney on a wide range of topics, including Mickey Mouse, Disneyland, movies and animation, television, education, America, business, the Walt Disney Company (known as Walt Disney Productions when Walt was still alive), animals, art & music, and other areas as well.

Many of the quotes in this book are fairly well known ("...it was all started by a mouse.", "we keep moving forward", "we call it Imagineering - the blending of creative imagination and technical know-how", etc.) as well as many that are on the more obscure side. As you read through this book, you get a sense of how Walt Disney approached his life and his work. You also get a glimpse into the philosophy that made Walt Disney one of the most influential creative geniuses in history.

We all have things to learn through our lives, and finding the right teachers and role models is one of the most important things we can each do to improve our lives. No matter who you are or what you want to do with your life, Walt Disney has something to teach you, and this book is a great place to start your lessons.

I recommend this book anyone interested in learning more about Walt Disney.

0 of 0 people found the following review helpful.
Wise and at the same entrepreneurial ideas
By StrollingLifesPath
Many of these quotes are the ones you see around Disneyland during construction. The positive yet realistic outlook from these snippets is inspiring. Wise and at the same entrepreneurial ideas on how to run a business, how to treat others, even how to see the world, are all gems that reveal a man much more clever and groundbreaking than I gave him credit for. It's a great guest bathroom book.

0 of 0 people found the following review helpful.
WALT DISNEY, A MAN OF MAGICAL WORDS
By piratemom4ever
I LOVED THIS BOOK. WALT DISNEY KNEW WHAT TO SAY AND HOW TO SAY IT TO GET HIS POINT ACROSS. MOST OF HIS QUOTES ARE FILLED WITH HAPPY THOUGHTS AND WISE ADVICE. HE SAW THE INNOCENCE IN CHILDREN AND APPLIED THAT TO HIS WORK AND HIS WAY OF LIFE. I REALLY LIKE THE WAY THE BOOK IS BROKEN DOWN INTO VERY INFORMATIVE CHAPTERS.
THIS BOOK IS SO FULL OF SO MANY OF HIS IDEAS AND BELIEFS THAT MAKE YOU THINK ,AND THEY ARE VERY GOOD FOR PASSING ON TO FRIENDS AND FAMILY, AND MAKE EXCELLENT QUOTES FOR BIRTHDAY OR OTHER OCCASION CARDS.

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Senin, 08 Oktober 2012

[H504.Ebook] Free Ebook Dictionary of Banking Terms (Barron's Dictionary of Banking Terms), by Thomas P. Fitch

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Dictionary of Banking Terms (Barron's Dictionary of Banking Terms), by Thomas P. Fitch

Small in size but packed with detailed information, Barron's Business Dictionaries are extremely useful and economical reference sources for business students, business managers, and general readers seeking advice and information on specific business subjects. Each pocket-size book defines thousands of authoritative yet specialized terms within its subject area and features an abundance of diagrams, charts, and line art. These are must-haves for students and professionals alike. This updated and expanded edition edition features more than 3,000 terms defined and explained. Topics covered include every conceivable aspect of investment banking and commercial banking practices, finance and money management, and much more.



  • Sales Rank: #96124 in Books
  • Brand: Brand: Barron's
  • Published on: 2012-05-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.00" w x 4.20" l, .80 pounds
  • Binding: Paperback
  • 544 pages
Features
  • Used Book in Good Condition

About the Author
Fitch is a financial writer and editor. He has reported on business and financial issues such as banking, money management, and corporate executive-training programs for more than 20 years.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Kindle edition not a useable reference book
By Amazon Customer
Dictionary of Banking Terms does not have a search function that takes you to the entry you need. For example, I searched on "Trust". My results were not the just the dictionary entry for Trust. I got a list of every occurrence of the word "Trust" in the entire work. This is hardly a desirable feature for an e-dictionary. You want individual entries, not a huge list of occurrences. I know that Barron's knows how to create an e reference book. They did it right with Dictionary of Finance for Kindle; you can look up the ONE word you want. Barron's, however, failed big time with the Kindle version of Dictionary of Banking Terms.

1 of 1 people found the following review helpful.
Barrons Dictionary of Terms series
By Jonathan James Damonte
I have the entire series and find them useful in my practice. I recommend them for any business or professional person's office library.

1 of 1 people found the following review helpful.
Exceptional work reference
By E Hamilton
This is an exceptional reference book for work. It is even nicer when it can be carried in a compact format and available as needed.

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Sabtu, 06 Oktober 2012

[L786.Ebook] Get Free Ebook Chronicles, Vol. 1, by Bob Dylan

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Chronicles, Vol. 1, by Bob Dylan

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.
By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

  • Sales Rank: #20897 in Books
  • Published on: 2004-10-05
  • Released on: 2004-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.63" l, 1.04 pounds
  • Binding: Hardcover
  • 293 pages
Features
  • Bob Dylan autobiography

Amazon.com Review
One would not anticipate a conventional memoir from Bob Dylan--indeed, one would not have foreseen an autobiography at all from the pen of the notoriously private legend. What Chronicles: Volume 1 delivers is an odd but ultimately illuminating memoir that is as impulsive, eccentric, and inspired as Dylan's greatest music.

Eschewing chronology and skipping over most of the "highlights" that his many biographers have assigned him, Dylan drifts and rambles through his tale, amplifying a series of major and minor epiphanies. If you're interested in a behind-the-scenes look at his encounters with the Beatles, look elsewhere. Dylan describes the sensation of hearing the group's "Do You Want to Know a Secret" on the radio, but devotes far more ink to a Louisiana shopkeeper named Sun Pie, who tells him, "I think all the good in the world might already been done" and sells him a World's Greatest Grandpa bumper sticker. Dylan certainly sticks to his own agenda--a newspaper article about journeymen heavyweights Jerry Quarry and Jimmy Ellis and soul singer Joe Tex's appearance on The Tonight Show inspire heartfelt musings, and yet the 1963 assassination of John Kennedy prompts nary a word from the era's greatest protest singer.

For all the small revelations (it turns out he's been a big fan of Barry Goldwater, Mickey Rourke, and Ice-T), there are eye-opening disclosures, including his confession that a large portion of his recorded output was designed to alienate his audience and free him from the burden of being a "the voice of a generation."

Off the beaten path as it is, Chronicles is nevertheless an astonishing achievement. As revelatory in its own way as Blonde on Blonde or Highway 61 Revisited, it provides ephemeral insights into the mind one of the most significant artistic voices of the 20th century while creating a completely new set of mysteries. --Steven Stolder

From Publishers Weekly
Starred Review. After a career of principled coyness, Dylan takes pains to outline the growth of his artistic conscience in this superb memoir. Writing in a language of cosmic hokum and street-smart phrasing, he lingers not on moments of success and celebrity, but on the crises of his intellectual development. He reconstructs, for example, an early moment in New York when he realized "that I would have to start believing in possibilities that I wouldn’t have allowed before, that I had been closing my creativity down to a very narrow, controllable scale...that things had become too familiar and I might have to disorient myself." And he recounts how, in that search for larger reach, he actually went to the public library’s microfilm archives to learn the rhetoric of Civil War newspapers. Skipping the years of his greatest records, or perhaps saving those years for the second volume of his chronicle, Dylan recalls the times when he was sick of his public persona and made more lackluster albums like "Self-Portrait" and "New Morning." He then skips again to his comeback work with producer Daniel Lanois in the late 1980s. Dylan emphasizes that he was "indifferent to wealth and love," and readers looking for private revelations will be disappointed. But others will prize the display of musical integrity and seriousness that is evident in his minutia-filled accounts of his influences in folk and blues. Ultimately, this book will stand as a record of a young man’s self-education, as contagious in its frank excitement as the letters of John Keats and as sincere in its ramble as Jack Kerouac’s On the Road, to which Dylan frequently refers. A person of Dylan’s stature could have gotten away with far less; that he has been so thoughtful in the creation of this book is a measure of his talents, and a gift to his fans.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
There's no word yet on how far this first volume goes, but we'll bet that Dylan doesn't leave any answers blowin' in the wind. Look for the complete Lyrics (ISBN 0-7432-2627-8. $45), pubbing simultaneously.
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
More about what he likes than what he's like
By Karl Janssen
Bob Dylan has been the subject of many biographies, but not until the publication of his first memoir, Chronicles: Volume One, in 2004, did curious fans receive any autobiographical disclosure from the bard himself. Rather than using the book as an opportunity to set the record straight, however, the most curious thing about Chronicles is how Dylan goes out of his way to write about everything but himself. Nevertheless, it’s a lively and literate book that does, however indirectly, provide much-longed-for insight into the thought process of this great musician and songwriter.

Chronicles is not a typical autobiography, but rather an examination of five different points in Dylan’s life. These stages do not appear in chronological order, and in the telling of them Dylan often flashes backward and forward to other scenes that happen to pop into his head. Three of the chapters focus on his early career, up to the point where he signed with Columbia Records. Too often the text reads like a catalog of influences, with Dylan listing off the acts he admired, the records he listened to, the books he read, and the movies he saw. In these early scenes, however, he does a great job of authentically recreating the Greenwich Village folk music scene of the 1960s. He purposely avoids making himself the star of these vignettes but rather functions literally as a chronicler, capturing in eloquent and vivid prose the sights and sounds of afternoons in smoky coffee shops and nights on borrowed couches. The reader at times feels as if he were young Dylan, just arrived from Minnesota and hunting for a gig.

When he’s writing about the actual making of music, however, he’s far less successful. In the chapter entitled “Oh Mercy,” about the recording of the album of the same name in 1989, he talks in-depth about a new vocal technique that revolutionized his performances and a mathematical method of guitar playing that likewise transformed his music, but what he has to say about these topics is largely unintelligible. As to the album itself, he really gets into the nuts and bolts about how each song was written and recorded, but once again he’s virtually incomprehensible because he strings together more strange, folksy metaphors than a parody of Dan Rather. One would expect such a brilliant poet to be more articulate when talking about his craft. In this respect, Dylan could learn a thing or two from Neil Young. Young’s autobiography Waging Heavy Peace jumps all over the map topically and chronologically, but you never have trouble understanding what he’s saying. With Dylan it seems like deliberate obfuscation, either because he’s too shy for self-revelation, or he simply wants to preserve some of his rock-star mystique.

In the most candid portion of the book, which revolves around the recording of the 1970 album New Morning, Dylan expresses his reluctance to adopt the mantle of “voice of a generation” that was so often thrust upon his shoulders. All he wanted was to make music and be a family man. Another highlight of the book is the final chapter, in which he details his youth in Minnesota and explains how he went from a Woody Guthrie tribute act to a songwriter in his own right.

Though Chronicles may not be the perfect autobiography Dylan aficionados have long waited for, there’s plenty of nourishment here to at least temporarily satiate hungry fans. Perhaps the most gratifying thing about Chronicles is its subtitle, Volume One, indicating there’s more to come.

6 of 6 people found the following review helpful.
Astonishing
By Alison Wild
I read this book very slowly, on purpose. I wanted to try and follow the nuance and tone of what he's describing, not just look for details of this man's past. He's an incredibly good writer. Bob Dylan is able to describe things in words that would not seem to lend themselves to any description. I had attempted to read a biography about him a month ago and just couldn't take it, had to put it down really fast. I'm happy that I did, because this book allows him to paint the story in his own way, as an artist whose vision is so much more complex than any biographer could ever capture.

0 of 0 people found the following review helpful.
Extremely enjoyable
By seadream
There have been many positive reviews written about this book and I concur with all of them. Anything I could add will probably be redundant, but I have to say that this book is one of the most interesting, engaging, funny, and colorful books that I have ever read. As others have stated, Dylan comes off as a master storyteller with a style that makes it seem if you and the writer are sitting around having a few beers together and he decides to open up and share some observations about the folk music scene in the 60's in New York. But it's much more than descriptive prose including his insights about those people who came into his life. For instance, his surprise at being signed to Columbia records by John Hammond who saw something unique in Dylan, but wasn't sure exactly what to do with it. Seems to me that Dylan is somewhat mystified himself by the press's fascination with him and was very reluctant to take on the "voice of the sixties" role that the press created for him, preferring to spend time with his family and live a simpler life than his popularity would allow him. Dylan is at his best in his descriptive passages, riding on his vintage Harley, the coffee shops in Greenwich Village, the colorful characters that populate the folk scene, and so on. Maybe Dylan is not quite as complicated as we thought he was. You'll even find tidbits to enjoy. Did you know that Dylan played piano for Bobby Vee for a time? Not a spoiler, there are many more. Some of the most interesting stories are about people in his life that aren't the cast of recognizable characters you'd expect to find. I couldn't put this book down and can't wait for Chronicles, Vol 2.

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Written in an easily understood style, this textbook reflects current content course needs by addressing the underlying information needed to understand and apply theory to practice.

  • Sales Rank: #8262 in Books
  • Published on: 2014-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x 1.00" l, 2.38 pounds
  • Binding: Paperback
  • 592 pages

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6 of 6 people found the following review helpful.
This is a great nursing theory literature currently being used in online Master ...
By Irisphoto
This is a great nursing theory literature currently being used in online Master course . As confusing as theory can get I feel this book does a great job of clearing it up but theory is theory and not every one will feel the same. You do have to possess a love of logic to appreciate this puzzle. I was pleased with the price since this online school was selling at a higher pricing and I received my books in a timely fashion and I love Amazon for that.

2 of 2 people found the following review helpful.
I'm not a big fan of theory, but this ...
By PJ
I'm not a big fan of theory, but this book helped to understand what it is, how it's used, and what some of the major theories are. Helpful for my class.

2 of 2 people found the following review helpful.
Great book. Organized well and though required for my ...
By munkeyluvin
Great book. Organized well and though required for my class, I learned a lot from it. I wish I would have purchased it rather than rent!

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Kamis, 04 Oktober 2012

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Vascular and Endovascular Surgery Print and enhanced E-book: A Companion to Specialist Surgical Practice, 4e 4th Edition

  • Published on: 1707
  • Binding: Hardcover

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Titles in Barron's popular and growing "All About Techniques" series are written especially for advanced art students and experienced amateurs. They explain aspects of art theory, then provide step-by-step advice on methods for creating professional-looking art. This title covers every aspect of cartoon animation art in traditional media, starting with descriptions of tools and materials. Following chapters instruct in the creation of storyboards, then show how to render facial expressions, clothing, props, and body postures to give characters individuality and help tell their stories. Concluding chapters show how to create action animation for films. Students will also find instruction in rendering background landscapes, as well as a brief history of modern cartoon animation.

  • Sales Rank: #950065 in Books
  • Brand: Barrons
  • Published on: 2006-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .75" l, 2.12 pounds
  • Binding: Hardcover
  • 192 pages
Features
  • Used Book in Good Condition

From the Back Cover
(back cover)
ALL ABOUT
techniques
DRAWING FOR
ANIMATION PRODUCTION

Books in Barron’s All About Techniques series have been written for advanced art students and experienced amateurs. They explain the fundamentals of the art, then proceed to give step-by-step advice on the methods you must master to create complete, highly finished artwork.

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Volumes in this series:

  • All About Techniques in Acrylics
  • All About Techniques in Airbrush
  • All About Techniques in Color
  • All About Techniques in Drawing
  • All About Techniques in Dry Media
  • All About Techniques in Illustration
  • All About Techniques in Oil
  • All About Techniques in Pastel
  • All About Techniques in Watercolor
  • All About Techniques: Anatomy for the Artist
  • All About Techniques in Drawing for Animation Production

    Everything you need to know about animation production

  • All about the media
  • All about the equipment
  • All about techniques
  • All about methods
  • All about practical advice

    Most helpful customer reviews

    4 of 4 people found the following review helpful.
    learn about the fundamentals of animation
    By Saidacra
    As an animation teacher, I went through a lot of books as support for my 2D class; this one is on my top list and I would recommend it to any animation student new to the field who want to learn about the process and the principles of animation.

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    11 of 11 people found the following review helpful.
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    As an animation artist, I am familiar with the author's work and eagerly awaited the arrival of this book. It did not disappoint!

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    9 of 11 people found the following review helpful.
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